SUBMERGED 2024/25

Our 35 pages long research paper - FLL Submerged

PROBLEM

Catching jellyfishes with unsafe, forceful, and clumsy methods destroys the specimens, making their study inaccurate.

Why study jellyfish?
  • Without DNA testing, it is nearly impossible to distinguish a jellyfish from other species within the same family. However, distinguishing between species is very important to determine, for example, the toxicity and safety of a species.
  • Their presence near swimming areas is also directly relevant for safety reasons.
  • Jellyfishes are also used in medicine and the pharmaceutical industry. Scientists are studying the use of jellyfish venom against various diseases.

Why is this a problem?
  • The research results are less accurate.
  • Harmful to the jellyfish specimens.

SOLUTION

Millicon - a remote-controlled turtle-shaped robot that safely collects jellyfish and transports them to a research base.

  • It helps collecting jellyfishes in a non-damaging way, allowing for more accurate researches.
  • The turtle-shaped design is inspired by turtles, as they are the ones that typically eat jellyfishes in their natural habitat.
  • It also mimics other animals, making it appear as if it is a creature similar to their environment.
  • The robot would be able to reach deeper areas than a human could.
  • Tank to collect jellyfish
  • Pressure pump to suck in specimen
  • Camera “eye”
  • Motorized legs
  • Sensors
  • Remote control
  • Inspiration from “Spies in the Wild” robots

 

Similar solutions

Jelly 2.0

"Spies in the wild" robots

https://www.youtube.com/watch?v=qv5UmykFSJU

How much is it likely to cost?

According to our expert: The production of such a machine is expected to be very expensive. Considering the cost of a professional drone (around €10,000), and factoring in the expensive software, the cost of such a device could be estimated at €50,000 to €100,000.

 

Expert Feedback to the question: "What do you think of our solution?"
Arno Põllumäe (zooplankton specialty) "You've thought about keeping the water in the tank clean and ensuring the jellyfish survive and stay healthy, but in any case, it's probably worth emphasizing that it can't catch a very large amount of prey in one so-called trip."
Peep Pitsner (engineer) "Cost – this is difficult to estimate. First of all, it depends to a large extent on how deep the device should operate. Assuming that a professional drone costs about €10,000, I think the cost of such a device could be estimated at around €50…100,000."

MASTERPIECE 2023/2024

PROBLEM

 

People are not aware of and have no exposure to the connection between music and technology.

For example, most people know that Spotify is a way to listen to music and that it is related to technology, but many do not know how to use a sound controller or a light projector, or have never even had the opportunity to try it, because they are either too complicated or inaccessible to them.

Why is it a problem?

Many young people and/or unemployed individuals, who need to choose their field of study or career and would like to combine it with their interest in sound and lighting technology, lack the necessary knowledge and experience to confidently pursue this path.

Who is a sound engineer?

The sound technician (sound engineer) is responsible for the high-quality presentation of sound in a performance.

He or she is a technical employee of a theater or other performance venue who ensures high-quality sound during performances and other theater-related events. Their task is to familiarize themselves with the sound material and find a suitable technical solution to ensure high-quality sound reproduction and recording. The sound technician ensures the high-quality sound recording and post-production of events (concerts, theater, films, conferences, presentations, etc.) and audiovisual materials, using various equipment and taking into account acoustic conditions.

(Text from here)

Who is a lighting technician?

The lighting technician (lighting designer) is responsible for the high-quality presentation of lighting in a performance.

Their job is to make the event visible, record and process the lighting design. They are responsible for both the creative and technical aspects of achieving lighting effects for interior and exterior shots through the placement, intensity, and color solutions of lights. They find the appropriate technological solution, using various equipment and considering both natural and technical conditions. The lighting technician familiarizes themselves with the material of the upcoming event (text, music, script, etc.), discusses the lighting concept with the director (or producer), creates the lighting plot or storyboard (or both), and prepares the lighting setup and direction plan, as well as the schedule for lighting rehearsals.

(Text from here)

SOLUTION

 

An educational and playful machine that allows users to easily experiment and learn how sound and stage design works and can be modified.

This machine resembles a DJ mixer, but it’s not just for sound—users can also experiment with all the other lighting and special effects used in live performances. It would consist of a console where users can select a desired performance and a hologram that represents that performance. The user could test and adjust various details (stage colors, effects, simpler sound settings, etc.), and the machine would visualize everything in a hologram. This way, we would engage people in a more playful manner and encourage them to get involved with these fields at an early stage. Additionally, it helps people understand how technology is used alongside music. While it’s easy to use various computer programs with virtual sound mixers and watch videos on YouTube, it’s much more exciting to actually turn a knob and see the creative output in 3D hologram form.

 

Existing solutions

The development of technology offers many challenges and new opportunities for people working in various subfields of performing arts. For example, 3D models can be used to assess the suitability of different stage designs, lighting designs, and so on. In the future, some of the work of a set designer could be replaced by techniques like 3D printing. The use of technology (such as the increasing integration of lighting, video, and sound control) significantly changes the work of technicians, and as a result, the demands for knowledge and skills are also evolving.

Who is our solution intended for?

Our solution is primarily aimed at young people and/or the unemployed who wish to link their studies and/or career to stage technology, specifically lighting and sound engineering. Our machine helps them on their educational journey to acquire new knowledge and reinforce existing skills in the use of lighting and sound technology.

But what do experts think about our solution?

Expert Tagasiside küsimusele "Mida arvate teie meie lahndusest?"
Glen Pilvre "The idea of such an invention seems quite relevant. There are already quite a few different gadgets for creating and experimenting with music, but if all of these were combined and enhanced with a hologram and lighting effects, it could result in a really interesting machine."
Siim Kolla "Sound, lighting, and video control consoles are very complex high-tech devices. Creating something like this yourself is relatively difficult. The selection of existing machines is very broad, including consoles that control sound, light, video, and other special effects from one unit. You can do it more cheaply by using virtual control panels on a computer screen. I would recommend instead thinking of interesting machines that could be used alongside existing control desks or virtual consoles on concert stages. For example, in addition to flashing lights, a lighting console could be programmed to execute other commands, such as: 1. Moving something using electric motors – just like moving effect lights (movingheads). 2. Triggering detonators and chemical processes – this is how smoke, wind, foam or bubble machines work, as well as pyrotechnics and confetti cannons."
Rasmus Mölder "The solution is very unique, and I believe it would definitely help solve the problem you've set. The realization seems quite time-consuming, as it would require a lot of resources for importing different events. Additionally, our hologram system is not yet developed enough at this point."

Experts

- Glen Pilvre

- Peeter Kaljuste

- Siim Kolla

- Rasmus Mölder

(Mirtel's drawing of Glen and Peeter 2024)

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